The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1853 |
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Halaman 27
... perhaps , the whole chorus advanced to the front of the orchestra , and thus put themselves in ideal connec- tion , as it were , with the dramatis persona there acting . This thymele was in the centre of the whole edifice , all the ...
... perhaps , the whole chorus advanced to the front of the orchestra , and thus put themselves in ideal connec- tion , as it were , with the dramatis persona there acting . This thymele was in the centre of the whole edifice , all the ...
Halaman 30
... perhaps , have occasion to observe that this remark is not without importance in explaining the es- sential differences of the modern and ancient theatres . Phenomena , similar to those which accompanied the origin of tragedy and comedy ...
... perhaps , have occasion to observe that this remark is not without importance in explaining the es- sential differences of the modern and ancient theatres . Phenomena , similar to those which accompanied the origin of tragedy and comedy ...
Halaman 39
... perhaps better on the whole , if I had caused my Lectures to be announ- ced only as continuations of the main subject . But if I be , as perforce I must be , gratified by the recollection of whatever has appeared to give you pleasure ...
... perhaps better on the whole , if I had caused my Lectures to be announ- ced only as continuations of the main subject . But if I be , as perforce I must be , gratified by the recollection of whatever has appeared to give you pleasure ...
Halaman 44
... perhaps , another distinct cause , of this diseased disposition is matter of exultation to the philanthropist and philosopher , and of regret to the poet , the painter , and the statuary alone , and to them only as poets , painters ...
... perhaps , another distinct cause , of this diseased disposition is matter of exultation to the philanthropist and philosopher , and of regret to the poet , the painter , and the statuary alone , and to them only as poets , painters ...
Halaman 50
... perhaps , chiefly in the power of producing and reproducing the latter that the poet stands distinct . The subject of the Venus and Adonis is unpleasing ; but the poem itself is for that very reason the more illustrative of Shaks- peare ...
... perhaps , chiefly in the power of producing and reproducing the latter that the poet stands distinct . The subject of the Venus and Adonis is unpleasing ; but the poem itself is for that very reason the more illustrative of Shaks- peare ...
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admirable appear Beaumont and Fletcher beauty Ben Jonson blank verse cause character Coleridge comedy common devil divine Don Quixote drama effect excellence excited exquisite fancy feeling former genius give Greek Hamlet hath heart heaven Hence human humor Iago Iago's idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear lectures Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe Othello pantheism Paradise Lost passage passion perhaps persons philosophic play pleasure poem poet poetic poetry Polonius present principle produced reason religion Richard III Roman Romeo and Juliet scene Sejanus sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste Theobald thing thou thought tion Tom Jones tragedy true truth unity verse Warburton whilst whole words writers
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Halaman 116 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Halaman 167 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Halaman 157 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Halaman 135 - This is the excellent foppery of the world, that, when we are sick in fortune,— often the surfeit of our own behavior,— we make guilty of our disasters the sun, the moon, and the stars...
Halaman 37 - So that if the invention of the ship was thought so noble, which carrieth riches and commodities from place to place, and consociateth the most remote regions in participation of their fruits, how much more are letters to be magnified, which as ships pass through the vast seas of time, and make ages so distant to participate of the wisdom, illuminations, and inventions, the one of the other?
Halaman 123 - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
Halaman 18 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Halaman 168 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Halaman 349 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate man, Forget the glories he hath known, And that imperial palace whence he came. Behold the child among his new-born blisses, A six years
Halaman 163 - Good sir, why do you start ; and seem to fear Things that do sound so fair? — I' the name of truth, Are ye fantastical, or that indeed Which outwardly ye show?