Coming of Age in ShakespeareRoutledge, 15 Apr 2013 - 248 halaman Marjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
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Halaman 14
... self - reflectiveness - what will be described in Chap- ter 6 as the rite of comparison and distinction : ' in ... consciousness ' . We can see here the essential outline of a theory of human development which is based upon self - knowledge ...
... self - reflectiveness - what will be described in Chap- ter 6 as the rite of comparison and distinction : ' in ... consciousness ' . We can see here the essential outline of a theory of human development which is based upon self - knowledge ...
Halaman 20
... self - knowledge ( Antony ) . The value placed on the maturity depends , of course , upon the speaker and context . Of all the direct references to the maturity of dramatic charac- ters , however , perhaps the most suggestive is the ...
... self - knowledge ( Antony ) . The value placed on the maturity depends , of course , upon the speaker and context . Of all the direct references to the maturity of dramatic charac- ters , however , perhaps the most suggestive is the ...
Halaman 23
... self - knowledge , a growth and change for its main characters as well as for the audience , we may find a certain usefulness in these terms . No one , presumably , would wish King Lear to end after the opening scene , with Cordelia's ...
... self - knowledge , a growth and change for its main characters as well as for the audience , we may find a certain usefulness in these terms . No one , presumably , would wish King Lear to end after the opening scene , with Cordelia's ...
Halaman 24
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Halaman 25
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Isi
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young