Coming of Age in ShakespeareRoutledge, 15 Apr 2013 - 248 halaman Marjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
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Halaman 14
... Bettelheim addresses himself to the ' psychological problems of growing up ' , 26 and does so in part by reference to literary models . Bettelheim defines ' psychological maturity ' as ' gaining a secure understanding of what the mean ...
... Bettelheim addresses himself to the ' psychological problems of growing up ' , 26 and does so in part by reference to literary models . Bettelheim defines ' psychological maturity ' as ' gaining a secure understanding of what the mean ...
Halaman 15
... Bettelheim is concerned with justifying the application of psychological and psychoanalytic theory to a branch of literature in this case , the fairy tale , a genre traditionally interesting to anthropologists and students of mythology ...
... Bettelheim is concerned with justifying the application of psychological and psychoanalytic theory to a branch of literature in this case , the fairy tale , a genre traditionally interesting to anthropologists and students of mythology ...
Halaman 16
... Bettelheim's claims for the fairy tale as a catalyst of the youthful imagination are of particular interest because he boldly bridges the gap between life and art , or fact and fiction , to approach a literary work in psychological ...
... Bettelheim's claims for the fairy tale as a catalyst of the youthful imagination are of particular interest because he boldly bridges the gap between life and art , or fact and fiction , to approach a literary work in psychological ...
Halaman 28
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Halaman 109
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Isi
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
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Istilah dan frasa umum
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young