Legacy, Volume 16,Masalah 2Department of English, University of Massachusetts, 1999 |
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Halaman 169
... woman of color in a placage was the acquisition of legal right to the house in which she had been maintained ( Gehman 38 ; Martineau , Society 327 ) . Edna's move into her " pigeon - house " thus identifies her with the women of color ...
... woman of color in a placage was the acquisition of legal right to the house in which she had been maintained ( Gehman 38 ; Martineau , Society 327 ) . Edna's move into her " pigeon - house " thus identifies her with the women of color ...
Halaman 172
... women of color in the sexual economy of New Orleans cre- ole culture . As Léonce Pontellier's dou- ble in relation to the sexually available women of color of the French Quarter , and as his brother Robert's rival for the attention of ...
... women of color in the sexual economy of New Orleans cre- ole culture . As Léonce Pontellier's dou- ble in relation to the sexually available women of color of the French Quarter , and as his brother Robert's rival for the attention of ...
Halaman 173
... women of color as an image for the alienation of Edna Pontel- lier from her conventional marriage simply appropriates the specificity of the suffering of people of color for “ white feminism . ” But when The Awakening is resituated in ...
... women of color as an image for the alienation of Edna Pontel- lier from her conventional marriage simply appropriates the specificity of the suffering of people of color for “ white feminism . ” But when The Awakening is resituated in ...
Isi
LEGACY | 134 |
Louisa May Alcotts Eight Cousins or The Aunt Hill | 154 |
Whartons The Buccaneers | 177 |
Hak Cipta | |
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1999 The Pennsylvania African American Alec Alec's Amelia Barr American women's writing Annabel Annabel's argues audience Awakening Baym Buccaneers century character children's novels Chopin color line Colored American creole culture critics daughter desire Dodd domestic fiction domestic horror Duke Duke's Edith Wharton edition Edna's Eight Cousins Emily Dickinson essay father female femininity feminism feminist Friend Olivia Gayarré gender genre girls happy Harriet Prescott Highcamp homosexual Hopkins Hopkins's House of Mirth husband ideal ideological Jane Kate Chopin LEGACY literary literature Little Women Louisa May Alcott Louisiana Madame Delphine Mainwaring Mainwaring's male Margaret marriage married Mead mother motherhood nineteenth nineteenth-century Orleans Pauline Hopkins Pennsylvania State University plot political published race racial readers Real Womanhood reviewers role romance Rose scene sensation fiction sexual social Spofford's story Tate tion traditional Uncle Victorian Wadey Wadey's Wharton's text wife woman women of color York