Legacy, Volume 16,Masalah 2Department of English, University of Massachusetts, 1999 |
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Halaman 142
the novel centers around an unhappy fact of real domestic life but rather because " the au- thor sins against reality both by improbabili- ties of fact and impossibilities of sentiment . " Like A Modern Mephistopheles , Spofford's ...
the novel centers around an unhappy fact of real domestic life but rather because " the au- thor sins against reality both by improbabili- ties of fact and impossibilities of sentiment . " Like A Modern Mephistopheles , Spofford's ...
Halaman 146
... fact and fiction - but here fact explicitly includes instances of horror . Let me reassert that these fictions also portray black homes as sites of safety ( al- beit limited ) in the face of the racism that threatens it ; certainly , as ...
... fact and fiction - but here fact explicitly includes instances of horror . Let me reassert that these fictions also portray black homes as sites of safety ( al- beit limited ) in the face of the racism that threatens it ; certainly , as ...
Halaman 162
... fact , than any of the women in the novel . He knows more about mothering than do the biological mothers . His charge is undoubtedly the most well- raised of the eight cousins ; she is so well- raised that she assists the other mothers ...
... fact , than any of the women in the novel . He knows more about mothering than do the biological mothers . His charge is undoubtedly the most well- raised of the eight cousins ; she is so well- raised that she assists the other mothers ...
Isi
LEGACY | 134 |
Louisa May Alcotts Eight Cousins or The Aunt Hill | 154 |
Whartons The Buccaneers | 177 |
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1999 The Pennsylvania African American Alec Alec's Amelia Barr American women's writing Annabel Annabel's argues audience Awakening Baym Buccaneers century character children's novels Chopin color line Colored American creole culture critics daughter desire Dodd domestic fiction domestic horror Duke Duke's Edith Wharton edition Edna's Eight Cousins Emily Dickinson essay father female femininity feminism feminist Friend Olivia Gayarré gender genre girls happy Harriet Prescott Highcamp homosexual Hopkins Hopkins's House of Mirth husband ideal ideological Jane Kate Chopin LEGACY literary literature Little Women Louisa May Alcott Louisiana Madame Delphine Mainwaring Mainwaring's male Margaret marriage married Mead mother motherhood nineteenth nineteenth-century Orleans Pauline Hopkins Pennsylvania State University plot political published race racial readers Real Womanhood reviewers role romance Rose scene sensation fiction sexual social Spofford's story Tate tion traditional Uncle Victorian Wadey Wadey's Wharton's text wife woman women of color York