Legacy, Volume 16,Masalah 2Department of English, University of Massachusetts, 1999 |
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Halaman 136
... domestic fic- tion such as The Wide , Wide World subverts a vision of the idyllic home . Yet if horror can be so easily identified in even this model of " domestic fiction , " it seems questionable to position the novel within a genre ...
... domestic fic- tion such as The Wide , Wide World subverts a vision of the idyllic home . Yet if horror can be so easily identified in even this model of " domestic fiction , " it seems questionable to position the novel within a genre ...
Halaman 137
... domestic felicity as realis- tic , these generic categories discourage any sense that actual home life in the nineteenth century was less than ideal ; the result is that commentators on these texts support the domestic status quo ...
... domestic felicity as realis- tic , these generic categories discourage any sense that actual home life in the nineteenth century was less than ideal ; the result is that commentators on these texts support the domestic status quo ...
Halaman 138
... domestic was sensation fiction , or what Baym found to be termed in the United States " highly wrought fiction , " which tries to " ' pile up the agony ' of our poor human nature " ( qtd . in Novels 208 ) . As with domestic fiction ...
... domestic was sensation fiction , or what Baym found to be termed in the United States " highly wrought fiction , " which tries to " ' pile up the agony ' of our poor human nature " ( qtd . in Novels 208 ) . As with domestic fiction ...
Isi
LEGACY | 134 |
Louisa May Alcotts Eight Cousins or The Aunt Hill | 154 |
Whartons The Buccaneers | 177 |
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1999 The Pennsylvania African American Alec Alec's Amelia Barr American women's writing Annabel Annabel's argues audience Awakening Baym Buccaneers century character children's novels Chopin color line Colored American creole culture critics daughter desire Dodd domestic fiction domestic horror Duke Duke's Edith Wharton edition Edna's Eight Cousins Emily Dickinson essay father female femininity feminism feminist Friend Olivia Gayarré gender genre girls happy Harriet Prescott Highcamp homosexual Hopkins Hopkins's House of Mirth husband ideal ideological Jane Kate Chopin LEGACY literary literature Little Women Louisa May Alcott Louisiana Madame Delphine Mainwaring Mainwaring's male Margaret marriage married Mead mother motherhood nineteenth nineteenth-century Orleans Pauline Hopkins Pennsylvania State University plot political published race racial readers Real Womanhood reviewers role romance Rose scene sensation fiction sexual social Spofford's story Tate tion traditional Uncle Victorian Wadey Wadey's Wharton's text wife woman women of color York