Legacy, Volume 16,Masalah 2Department of English, University of Massachusetts, 1999 |
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Halaman 136
... Wide , Wide World subverts a vision of the idyllic home . Yet if horror can be so easily identified in even this model of " domestic fiction , " it seems questionable to position the novel within a genre that emphasizes stable ...
... Wide , Wide World subverts a vision of the idyllic home . Yet if horror can be so easily identified in even this model of " domestic fiction , " it seems questionable to position the novel within a genre that emphasizes stable ...
Halaman 137
... Wide , Wide World , consistently belie . Interpreting domestic felicity as realis- tic , these generic categories discourage any sense that actual home life in the nineteenth century was less than ideal ; the result is that commentators ...
... Wide , Wide World , consistently belie . Interpreting domestic felicity as realis- tic , these generic categories discourage any sense that actual home life in the nineteenth century was less than ideal ; the result is that commentators ...
Halaman 149
... wide assort- ment of texts , including Warner's The Wide , Wide World ( which Denning would label genteel ) and sensation story papers , such as the Weekly Vol- cano . As the narrator notes , “ [ I ] n those dark ages , even all ...
... wide assort- ment of texts , including Warner's The Wide , Wide World ( which Denning would label genteel ) and sensation story papers , such as the Weekly Vol- cano . As the narrator notes , “ [ I ] n those dark ages , even all ...
Isi
LEGACY | 134 |
Louisa May Alcotts Eight Cousins or The Aunt Hill | 154 |
Whartons The Buccaneers | 177 |
Hak Cipta | |
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Istilah dan frasa umum
1999 The Pennsylvania African American Alec Alec's Amelia Barr American women's writing Annabel Annabel's argues audience Awakening Baym Buccaneers century character children's novels Chopin color line Colored American creole culture critics daughter desire Dodd domestic fiction domestic horror Duke Duke's Edith Wharton edition Edna's Eight Cousins Emily Dickinson essay father female femininity feminism feminist Friend Olivia Gayarré gender genre girls happy Harriet Prescott Highcamp homosexual Hopkins Hopkins's House of Mirth husband ideal ideological Jane Kate Chopin LEGACY literary literature Little Women Louisa May Alcott Louisiana Madame Delphine Mainwaring Mainwaring's male Margaret marriage married Mead mother motherhood nineteenth nineteenth-century Orleans Pauline Hopkins Pennsylvania State University plot political published race racial readers Real Womanhood reviewers role romance Rose scene sensation fiction sexual social Spofford's story Tate tion traditional Uncle Victorian Wadey Wadey's Wharton's text wife woman women of color York