Shakespeare's Comedy of LoveRoutledge, 11 Okt 2013 - 288 halaman First published in 1987. |
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Halaman 9
... patterns and other features that make a work of art respectable ; and a substantial body of criticism , much of it sensitive and interesting , has been the result . But comedy is notoriously dangerous for the critic . On the one hand ...
... patterns and other features that make a work of art respectable ; and a substantial body of criticism , much of it sensitive and interesting , has been the result . But comedy is notoriously dangerous for the critic . On the one hand ...
Halaman 10
... pattern , as of how thematic interests are qualified by other factors ; how different kinds of characterization interact ; or how the level of fantasy or the closeness of the story to familiar folk tales can shift from scene to scene ...
... pattern , as of how thematic interests are qualified by other factors ; how different kinds of characterization interact ; or how the level of fantasy or the closeness of the story to familiar folk tales can shift from scene to scene ...
Halaman 29
... patterns , in fact , is an alternation be- tween dialogues on love , which are clever , detached and fre- quently satiric , and soliloquies in which love is expressed in a straightforward , serious way . In Proteus's altercation with ...
... patterns , in fact , is an alternation be- tween dialogues on love , which are clever , detached and fre- quently satiric , and soliloquies in which love is expressed in a straightforward , serious way . In Proteus's altercation with ...
Halaman 39
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Halaman 54
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Isi
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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Istilah dan frasa umum
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision