Shakespeare's Comedy of LoveRoutledge, 11 Okt 2013 - 288 halaman First published in 1987. |
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Halaman 5
... Night's Dream 89 6 The Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the help and encouragement of.
... Night's Dream 89 6 The Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the help and encouragement of.
Halaman 10
... Twelfth Night is that the recurring plot situations , and the recurring interest in one experi- ence , romantic love , provide a basis of common material that helps to control the discussion . The variety of Shakespeare's comic art is ...
... Twelfth Night is that the recurring plot situations , and the recurring interest in one experi- ence , romantic love , provide a basis of common material that helps to control the discussion . The variety of Shakespeare's comic art is ...
Halaman 11
... Twelfth Night ) a techni- cal device to aid the presentation of some other issue . Perhaps Shakespeare , before he could use mistaken identity as an instru- ment , had to give it a thorough examination . And in exploiting the situations ...
... Twelfth Night ) a techni- cal device to aid the presentation of some other issue . Perhaps Shakespeare , before he could use mistaken identity as an instru- ment , had to give it a thorough examination . And in exploiting the situations ...
Halaman 219
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Halaman 221
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Isi
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision