Shakespeare's Comedy of LoveRoutledge, 11 Okt 2013 - 288 halaman First published in 1987. |
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Halaman
... , dances, masks, and merry hours, Forerun fair Love, strewing her way with flowers. Love's Labour's Lost No masque to-night; the wind is come about. The Merchant of Venice Preface The complaint that there is not enough criticism of.
... , dances, masks, and merry hours, Forerun fair Love, strewing her way with flowers. Love's Labour's Lost No masque to-night; the wind is come about. The Merchant of Venice Preface The complaint that there is not enough criticism of.
Halaman 5
... Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the help and encouragement of.
... Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the help and encouragement of.
Halaman 8
... and merry hours , Forerun fair Love , strewing her way with flowers . Love's Labour's Lost No masque to - night ; the wind is come about . The Merchant of Venice Preface The complaint that there is not enough criticism of.
... and merry hours , Forerun fair Love , strewing her way with flowers . Love's Labour's Lost No masque to - night ; the wind is come about . The Merchant of Venice Preface The complaint that there is not enough criticism of.
Halaman 115
Anda telah mencapai batas penampilan buku ini.
Anda telah mencapai batas penampilan buku ini.
Halaman 117
Anda telah mencapai batas penampilan buku ini.
Anda telah mencapai batas penampilan buku ini.
Isi
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision