The Works of Shakspeare: From the Text of Johnson, Steevens, and Reed |
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Halaman viii
Now B. Jonson never was a good actor , but an excellent instructor . He began early to make essayes at dramatic poetry , which at that time was very lowe , and his playes tooke well . He was a handsome well shap't man , and of a verie ...
Now B. Jonson never was a good actor , but an excellent instructor . He began early to make essayes at dramatic poetry , which at that time was very lowe , and his playes tooke well . He was a handsome well shap't man , and of a verie ...
Halaman xxiv
Sundry victories had he , and sometime overthrows , but never in default as for his own person of hardiness or politic order : free was he called of dispense , and somewhat above his power liberal ; with large gifts he got him ...
Sundry victories had he , and sometime overthrows , but never in default as for his own person of hardiness or politic order : free was he called of dispense , and somewhat above his power liberal ; with large gifts he got him ...
Halaman xxv
By We per is peter bis 18 Dot if m ES . our ba Jan Tel derers Iren be pist 12 . at be ar meeti tones . terwart : 1 Kembr the occa 1 never w well m st the eventh , Confesse ted in pedition , of ken fro ys the co became dream : t id see d ...
By We per is peter bis 18 Dot if m ES . our ba Jan Tel derers Iren be pist 12 . at be ar meeti tones . terwart : 1 Kembr the occa 1 never w well m st the eventh , Confesse ted in pedition , of ken fro ys the co became dream : t id see d ...
Halaman xxvi
And thus she departed , without any further answer at that time , or any other , and never would appear after in any court . " The scene between Katharine and the cardinal was also suggested by the Chronicle , but is wrought into ...
And thus she departed , without any further answer at that time , or any other , and never would appear after in any court . " The scene between Katharine and the cardinal was also suggested by the Chronicle , but is wrought into ...
Halaman lv
Betterton had so just a sense of what was true or false applause , that I have heard him say , that he never thought any kind of it equal to an attentive silence : that there were many ways of deceiving an audience into a loud one ...
Betterton had so just a sense of what was true or false applause , that I have heard him say , that he never thought any kind of it equal to an attentive silence : that there were many ways of deceiving an audience into a loud one ...
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The Works of Shakspeare: From the Text of Johnson, Steevens, and Reed William Shakespeare,Samuel Johnson,Isaac Reed Pratinjau tidak tersedia - 2015 |
Istilah dan frasa umum
answer appear Attendants bear Beat better blood bring brother comes Count daughter dear death desire doth Duke Enter Exeunt Exit eyes face fair faith father fear follow fool Ford fortune gentle give gone grace hand hast hath head hear heard heart heaven hold honour hope hour husband I'll John keep kind king lady leave Leon live look lord madam marry master mean meet mind mistress nature never night noble once peace play poor pray present prince reason rest Rich SCENE seems servant serve Shakspeare soul speak Speed spirit stand stay sure sweet tell thank thee thing thou thou art thought tongue true truth turn wife woman young
Bagian yang populer
Halaman 152 - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Halaman 304 - All murder'd : for within the hollow crown That rounds the mortal temples of a king Keeps Death his court, and there the antic sits, Scoffing his state and grinning at his pomp...
Halaman 265 - The times have been That, when the brains were out, the man would die, And there an end ; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools.
Halaman 104 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Halaman 292 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.
Halaman 115 - ... the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt : The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name.
Halaman 107 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Halaman 155 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines...
Halaman lx - Antiquity, like every other quality that attracts the notice of mankind has undoubtedly votaries that reverence it, not from reason, but from prejudice. Some seem to admire indiscriminately whatever has been long preserved without considering that time has sometimes co-operated with chance ; all perhaps are more willing to honour past than present excellence; and the mind contemplates genius through the shades of age as the eye surveys the sun through artificial opacity. The great contention of criticism...
Informasi bibliografi
| Judul | The Works of Shakspeare: From the Text of Johnson, Steevens, and Reed |
| Pengarang | William Shakespeare |
| Ilustrasi oleh | W. Harvey |
| Penerbit | proprietors of the "London stage", 1825 |
| Asli dari | Universitas Harvard |
| Didigitalkan | 10 Feb 2006 |
| Tebal | 896 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |