Sound, Sense, and Rhythm: Listening to Greek and Latin PoetryPrinceton University Press, 25 Jan 2004 - 191 halaman This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. |
Isi
HOMER I POETRY AND SPEECH | 1 |
FRANKEL AND PARRY | 2 |
FUNCTIONAL GRAMMAR AND THE GRAMMAR OF SPEECH | 9 |
HOMERIC STYLE IN TENNYSONS MORTE DARTHUR | 14 |
HOMERIC STYLE IN THE DUELS OF ACHILLES | 18 |
HOMER II SCENES AND SUMMARIES | 38 |
THE BOOK DIVISIONS | 39 |
THE PARAGRAPH DIVISIONS | 47 |
THE THIRD CHORAL SONG AGAMEMNON 681781 | 88 |
THE REST OF THE AGAMEMNON AND OF THE TRILOGY | 95 |
POETRY IN THE LATIN LANGUAGE | 99 |
AMBIGUITY IN LATIN VERSE | 105 |
PROPERTIUS 119 | 109 |
AFTERWORD | 125 |
TENNYSONS MORTE DARTHUR | 129 |
CONTINUITY IN MRS DALLOWAY | 149 |
JOINING EPISODE TO EPISODE | 53 |
CONTINUITY AND ORAL POETICS | 58 |
MUSIC AND MEANING IN THREE SONGS OF AESCHYLUS | 62 |
THE FIRST CHORAL SONG AGAMEMNON 104257 | 71 |
THE SECOND CHORAL SONG AGAMEMNON 367488 | 81 |
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Sound, Sense, and Rhythm: Listening to Greek and Latin Poetry Mark W. Edwards Pratinjau terbatas - 2004 |
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