Composers of the Nazi Era: Eight PortraitsOxford University Press, 23 Des 1999 - 416 halaman How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany. |
Isi
3 | |
The Reluctant Emigré | 31 |
A Survivor on Two Continents | 57 |
The Composer as Dissident | 86 |
Man of Legend | 111 |
Magister Teutonicus Miser | 144 |
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Abendroth able Allg already American artists asked became become beginning Berlin Brecht Carl Orff composer compositions concert conduct conductor continued corr course critic cultural early Egk’s especially fact Festival final Frankfurt Furtwängler German Gertrud Goebbels hand Hartmann hence Hindemith Hitler interest Italy January Jewish Jews July June Karl Kater Klemperer known Korr Kowalke Kurt late later least Lenya letter Main Mann March matter meeting months Munich musicians Musik Nazi never official once opera Orff’s party Paul performed Pfitzner played political position premiere published quote reason recorded regime relationship remained Richard Strauss Scherchen Schoenberg Schott Korr Schuh Sept stage Strecker student success Third Reich Thomas thought tion turned United Wagner Walter wanted Weill Weimar Werner wife World wrote York
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