Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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John is still there making sense of it all. And this book, second time around, is still for Gaynor, still my best pal, now with additions and adaptations all of her own – Gregor, Sean and Leo. This one is for all of you, then, ...
John is still there making sense of it all. And this book, second time around, is still for Gaynor, still my best pal, now with additions and adaptations all of her own – Gregor, Sean and Leo. This one is for all of you, then, ...
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... to whether we required expert knowledge of The Odyssey to understand in any comprehensive sense his Dublin narrative. What this question highlights, however, is the fundamental contradictory impulse towards dependence and liberation ...
... to whether we required expert knowledge of The Odyssey to understand in any comprehensive sense his Dublin narrative. What this question highlights, however, is the fundamental contradictory impulse towards dependence and liberation ...
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But it is also a fine example of the sense of play that many theorists have stressed as central to the adaptive instinct. Paul Ricoeur describes appropriation as 'the “playful” transposition of the text, and play itself ... as the ...
But it is also a fine example of the sense of play that many theorists have stressed as central to the adaptive instinct. Paul Ricoeur describes appropriation as 'the “playful” transposition of the text, and play itself ... as the ...
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Eliot's delineation of the 'historical sense' (1984 (1919): 38) is helpful; he suggests that meaning stems from the relationships between texts, relationships which encourage contrast and comparison. As the close readings conducted here ...
Eliot's delineation of the 'historical sense' (1984 (1919): 38) is helpful; he suggests that meaning stems from the relationships between texts, relationships which encourage contrast and comparison. As the close readings conducted here ...
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The suggestion is in some sense similar to Eliot's in that it invokes the literary past but insists on an historical understanding to foster creativity both in the present and in the future, but it is also entirely antithetical in that ...
The suggestion is in some sense similar to Eliot's in that it invokes the literary past but insists on an historical understanding to foster creativity both in the present and in the future, but it is also entirely antithetical in that ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |