Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Barthes also highlighted the ways in which texts were not solely dependent on their authors for the production of meaning, indicating how they benefited from readers who created their own intertextual networks and connections.
Barthes also highlighted the ways in which texts were not solely dependent on their authors for the production of meaning, indicating how they benefited from readers who created their own intertextual networks and connections.
Halaman
Nevertheless the ability of these theories to destabilize the authority of the so-called original text does enable multiple and sometimes conflicting productions of meaning, a fact that will prove important for our analyses.
Nevertheless the ability of these theories to destabilize the authority of the so-called original text does enable multiple and sometimes conflicting productions of meaning, a fact that will prove important for our analyses.
Halaman
... the events of Homer's epic (and Joyce's title surely invites us to perform that action of reading the two alongside each other, to read intertextually in this active way) clearly enriches the potential for the production of meaning.
... the events of Homer's epic (and Joyce's title surely invites us to perform that action of reading the two alongside each other, to read intertextually in this active way) clearly enriches the potential for the production of meaning.
Halaman
This critical perspective on the relationship between tradition and the individual talent is one shared by writers producing work from feminist, gay and lesbian, and postcolonial subject-positions.
This critical perspective on the relationship between tradition and the individual talent is one shared by writers producing work from feminist, gay and lesbian, and postcolonial subject-positions.
Halaman
... distinctly her own; Gates suggests this is typical of African-American writing, which consciously positions itself in relation to canonical (white) Western culture and the companion productions of fellow AfricanAmerican writers.
... distinctly her own; Gates suggests this is typical of African-American writing, which consciously positions itself in relation to canonical (white) Western culture and the companion productions of fellow AfricanAmerican writers.
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |