Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... order to address the radical changes which have taken place in the study of literature during the last decades of the twentieth century. The aim is to provide clear, well-illustrated accounts of the full range of terminology currently ...
... order to address the radical changes which have taken place in the study of literature during the last decades of the twentieth century. The aim is to provide clear, well-illustrated accounts of the full range of terminology currently ...
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... order of encounter or point of entry alter the terms in which we understand or describe the adaptive experience from the vantage point of the end-user? We will return to these interpretive challenges throughout. Literary texts 'are ...
... order of encounter or point of entry alter the terms in which we understand or describe the adaptive experience from the vantage point of the end-user? We will return to these interpretive challenges throughout. Literary texts 'are ...
Halaman
... order) ... borrowing, stealing, appropriating, inheriting, assimilating ... being influenced, inspired, dependent, indebted, haunted, possessed ... homage, mimicry, travesty, echo, allusion, and intertextuality' (2004: 2). We can easily ...
... order) ... borrowing, stealing, appropriating, inheriting, assimilating ... being influenced, inspired, dependent, indebted, haunted, possessed ... homage, mimicry, travesty, echo, allusion, and intertextuality' (2004: 2). We can easily ...
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... order to move beyond it into a creative space of their own: 'Re-vision, the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction ... We need to know the writing of the past and know it ...
... order to move beyond it into a creative space of their own: 'Re-vision, the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction ... We need to know the writing of the past and know it ...
Halaman
... order to enjoy the work independently. Examples of stand-alone works that nevertheless gain layers of meaning when their status as analogue is revealed might include: Amy Heckerling's Clueless (1995), a Valley-Girl variation on Jane ...
... order to enjoy the work independently. Examples of stand-alone works that nevertheless gain layers of meaning when their status as analogue is revealed might include: Amy Heckerling's Clueless (1995), a Valley-Girl variation on Jane ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing