Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... Donald E. Hall The Sublime by Philip Shaw Temporalities by Russell West-Pavlov Translation by Susan Bassnett Travel Writing by Carl Thompson The Unconscious by Antony Easthope ADAPTATION AND APPROPRIATION Second edition Julie Sanders.
... Donald E. Hall The Sublime by Philip Shaw Temporalities by Russell West-Pavlov Translation by Susan Bassnett Travel Writing by Carl Thompson The Unconscious by Antony Easthope ADAPTATION AND APPROPRIATION Second edition Julie Sanders.
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... without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
... without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
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I underwent my own process of professional adaptation while writing this volume and I thank my new colleagues at the University of Nottingham for making me feel so very welcome. Though they will probably never know it, the Quadriga ...
I underwent my own process of professional adaptation while writing this volume and I thank my new colleagues at the University of Nottingham for making me feel so very welcome. Though they will probably never know it, the Quadriga ...
Halaman
Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch things that come back to you as ...
Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch things that come back to you as ...
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In appropriations the intertextual relationship may be less explicit, more embedded, but what is often inescapable is the fact that a political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a ...
In appropriations the intertextual relationship may be less explicit, more embedded, but what is often inescapable is the fact that a political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York