Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... Donald E. Hall The Sublime by Philip Shaw Temporalities by Russell West-Pavlov Translation by Susan Bassnett Travel Writing by Carl Thompson The Unconscious by Antony Easthope ADAPTATION AND APPROPRIATION Second edition Julie Sanders.
... Donald E. Hall The Sublime by Philip Shaw Temporalities by Russell West-Pavlov Translation by Susan Bassnett Travel Writing by Carl Thompson The Unconscious by Antony Easthope ADAPTATION AND APPROPRIATION Second edition Julie Sanders.
Halaman
... writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in ...
... writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in ...
Halaman
... writing this volume and I thank my new colleagues at the University of Nottingham for making me feel so very welcome. Though they will probably never know it, the Quadriga Consort and the virtuoso musicianship of Andrew Manze were my ...
... writing this volume and I thank my new colleagues at the University of Nottingham for making me feel so very welcome. Though they will probably never know it, the Quadriga Consort and the virtuoso musicianship of Andrew Manze were my ...
Halaman
... writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch things that come back to you as much as possible' (1985: 157). The 'rewriting' impulse ...
... writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch things that come back to you as much as possible' (1985: 157). The 'rewriting' impulse ...
Halaman
... writer's, director's or performer's decision to reinterpret a source text. In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel ...
... writer's, director's or performer's decision to reinterpret a source text. In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing