Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... understanding the operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be deferential or critical, supportive or questioning; it depends on ...
... understanding the operations of adaptation and appropriation. There is a need, for example, to distinguish between direct quotation and acts of citation. Quotation can be deferential or critical, supportive or questioning; it depends on ...
Halaman
... understanding to foster creativity both in the present and in the future, but it is also entirely antithetical in that it simultaneously advocates a radical break with that same tradition, a dissonant and dissident rupturing of its ...
... understanding to foster creativity both in the present and in the future, but it is also entirely antithetical in that it simultaneously advocates a radical break with that same tradition, a dissonant and dissident rupturing of its ...
Halaman
... appropriated from the discipline of music – terms such as variation and sampling – to revivify our understanding and appreciation of the kinetic processes of adaptation. As my endless ruminating over terminology even at the outset.
... appropriated from the discipline of music – terms such as variation and sampling – to revivify our understanding and appreciation of the kinetic processes of adaptation. As my endless ruminating over terminology even at the outset.
Halaman
... understandings of similarity and difference and might seem to invite comparative analysis, and it is certainly true ... understanding could enrich the spectator's experience and may indeed enhance or complicate the pleasures involved ...
... understandings of similarity and difference and might seem to invite comparative analysis, and it is certainly true ... understanding could enrich the spectator's experience and may indeed enhance or complicate the pleasures involved ...
Halaman
... understandings of similarity and difference? There is a danger of over-complicating the sensations involved and there ... understanding of the new cultural product to be aware of shaping intertexts, it may not be entirely necessary in ...
... understandings of similarity and difference? There is a danger of over-complicating the sensations involved and there ... understanding of the new cultural product to be aware of shaping intertexts, it may not be entirely necessary in ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing