Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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In this context terms like remix and remediation, along with mash-up, have entered our everyday vocabulary and have in turn posed their own challenges to ideas of authorship and intellectual property versus creativity and open access ...
In this context terms like remix and remediation, along with mash-up, have entered our everyday vocabulary and have in turn posed their own challenges to ideas of authorship and intellectual property versus creativity and open access ...
Halaman
This volume concerns itself, at various turns with these textual ghosts and hauntings, both literal and metaphorical. In turn, questions of dependency and derivation are broached. Studies of adaptation and appropriation invariably abut ...
This volume concerns itself, at various turns with these textual ghosts and hauntings, both literal and metaphorical. In turn, questions of dependency and derivation are broached. Studies of adaptation and appropriation invariably abut ...
Halaman
... but it is, perhaps, to these more embracing and inclusive ideas of the creative translator that Basnett invokes, from Jorge Luis Borges, to Walter Benjamin, to Octavio Paz, that we should turn (see Basnett 2014: 13, 51, 117, 165).
... but it is, perhaps, to these more embracing and inclusive ideas of the creative translator that Basnett invokes, from Jorge Luis Borges, to Walter Benjamin, to Octavio Paz, that we should turn (see Basnett 2014: 13, 51, 117, 165).
Halaman
Adaptation appears both to require and to perpetuate the existence of a canon, although it may in turn contribute to its ongoing reformulation and expansion. As Derek Attridge has astutely observed, 'The perpetuation of any canon is ...
Adaptation appears both to require and to perpetuate the existence of a canon, although it may in turn contribute to its ongoing reformulation and expansion. As Derek Attridge has astutely observed, 'The perpetuation of any canon is ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |