Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... Tradition and the Individual Talent' This book is concerned with the literariness of literature but also the presence of the literary in many other forms, mediums and genres. It is a book about connections. Any exploration of ...
... Tradition and the Individual Talent' This book is concerned with the literariness of literature but also the presence of the literary in many other forms, mediums and genres. It is a book about connections. Any exploration of ...
Halaman
... traditions established by previous works of literature' (Allen 2000: 1). But they are also built from systems, codes and traditions derived from companion art forms and media. If Kristeva is credited with formulating the theory of ...
... traditions established by previous works of literature' (Allen 2000: 1). But they are also built from systems, codes and traditions derived from companion art forms and media. If Kristeva is credited with formulating the theory of ...
Halaman
... Tradition and the Individual Talent' has been described as 'perhaps the single most formative work in twentieth-century Anglo-American criticism' (Widdowson 1999: 49). Eliot's essay is certainly essential reading for students of ...
... Tradition and the Individual Talent' has been described as 'perhaps the single most formative work in twentieth-century Anglo-American criticism' (Widdowson 1999: 49). Eliot's essay is certainly essential reading for students of ...
Halaman
... tradition served to justify his own intertextual, discursive style and the aims of the Modernist movement (1999: 49). Modernist poetry, not least Eliot's own, practised intertextuality in the form of quotation, allusion, collage ...
... tradition served to justify his own intertextual, discursive style and the aims of the Modernist movement (1999: 49). Modernist poetry, not least Eliot's own, practised intertextuality in the form of quotation, allusion, collage ...
Halaman
... tradition, a dissonant and dissident rupturing of its value-systems and hierarchies. This critical perspective on the relationship between tradition and the individual talent is one shared by writers producing work from feminist, gay ...
... tradition, a dissonant and dissident rupturing of its value-systems and hierarchies. This critical perspective on the relationship between tradition and the individual talent is one shared by writers producing work from feminist, gay ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing