Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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T. S. Eliot, 'Tradition and the Individual Talent' This book is concerned with the literariness of literature but also the presence of the literary in many other forms, mediums and genres. It is a book about connections.
T. S. Eliot, 'Tradition and the Individual Talent' This book is concerned with the literariness of literature but also the presence of the literary in many other forms, mediums and genres. It is a book about connections.
Halaman
But they are also built from systems, codes and traditions derived from companion art forms and media. If Kristeva is credited with formulating the theory of intertextuality, hers was a.
But they are also built from systems, codes and traditions derived from companion art forms and media. If Kristeva is credited with formulating the theory of intertextuality, hers was a.
Halaman
T. S. Eliot's 1919 essay 'Tradition and the Individual Talent' has been described as 'perhaps the single most formative work in twentieth-century Anglo-American criticism' (Widdowson 1999: 49). Eliot's essay is certainly essential ...
T. S. Eliot's 1919 essay 'Tradition and the Individual Talent' has been described as 'perhaps the single most formative work in twentieth-century Anglo-American criticism' (Widdowson 1999: 49). Eliot's essay is certainly essential ...
Halaman
Peter Widdowson is correct to acknowledge that Eliot's case for an historical awareness of literary tradition served to justify his own intertextual, discursive style and the aims of the Modernist movement (1999: 49).
Peter Widdowson is correct to acknowledge that Eliot's case for an historical awareness of literary tradition served to justify his own intertextual, discursive style and the aims of the Modernist movement (1999: 49).
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We need to know the writing of the past and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us' (Rich 1992 [1971]: 369). The suggestion is in some sense similar to Eliot's in that it ...
We need to know the writing of the past and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us' (Rich 1992 [1971]: 369). The suggestion is in some sense similar to Eliot's in that it ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |