Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... theory is a dynamic and heterogeneous one. The present need is for individual volumes on terms which combine clarity of exposition with an adventurousness of perspective and a breadth of application. Each volume will contain as part of ...
... theory is a dynamic and heterogeneous one. The present need is for individual volumes on terms which combine clarity of exposition with an adventurousness of perspective and a breadth of application. Each volume will contain as part of ...
Halaman
... theories deployed in these pages and I am endlessly indebted both to the intelligence of their sleeve-notes and the beauty of their playing. Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and ...
... theories deployed in these pages and I am endlessly indebted both to the intelligence of their sleeve-notes and the beauty of their playing. Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and ...
Halaman
... theories of the 'death of the author' might suggest (Barthes 1988; Foucault 1979). Nevertheless the ability of these theories to destabilize the authority of the so-called original text does enable ... theory of intertextuality, hers was a.
... theories of the 'death of the author' might suggest (Barthes 1988; Foucault 1979). Nevertheless the ability of these theories to destabilize the authority of the so-called original text does enable ... theory of intertextuality, hers was a.
Halaman
Julie Sanders. credited with formulating the theory of intertextuality, hers was a theory that was far from exclusive in its application to literature. She viewed art, music, drama, dance and literature in terms of a living mosaic, a ...
Julie Sanders. credited with formulating the theory of intertextuality, hers was a theory that was far from exclusive in its application to literature. She viewed art, music, drama, dance and literature in terms of a living mosaic, a ...
Halaman
... theory must come into play, but it is, perhaps, to these more embracing and inclusive ideas of the creative translator that Basnett invokes, from Jorge Luis Borges, to Walter Benjamin, to Octavio Paz, that we should turn (see Basnett ...
... theory must come into play, but it is, perhaps, to these more embracing and inclusive ideas of the creative translator that Basnett invokes, from Jorge Luis Borges, to Walter Benjamin, to Octavio Paz, that we should turn (see Basnett ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing