Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Intertextuality as a term has, however, come to refer to a far more textual as opposed to utterance-driven notion of how texts encompass and respond to other texts both during the process of their creation and composition and in terms ...
Intertextuality as a term has, however, come to refer to a far more textual as opposed to utterance-driven notion of how texts encompass and respond to other texts both during the process of their creation and composition and in terms ...
Halaman
The inherent intertextuality of literature/art forms encourages the ongoing, evolving production of meaning and an ever-expanding network of textual relations and value-systems. Returning to my earlier points about Web 2.0 contexts, ...
The inherent intertextuality of literature/art forms encourages the ongoing, evolving production of meaning and an ever-expanding network of textual relations and value-systems. Returning to my earlier points about Web 2.0 contexts, ...
Halaman
She viewed art, music, drama, dance and literature in terms of a living mosaic, a dynamic intersection of textual surfaces. We might wish to add film and now digital culture and computer science to this list, and indeed the terminology ...
She viewed art, music, drama, dance and literature in terms of a living mosaic, a dynamic intersection of textual surfaces. We might wish to add film and now digital culture and computer science to this list, and indeed the terminology ...
Halaman
Adaptation and appropriation are inevitably involved in the performance of textual echo and allusion, but this does not usually equate to the fragmentary bricolage of quotation more commonly associated with postmodern intertextuality.
Adaptation and appropriation are inevitably involved in the performance of textual echo and allusion, but this does not usually equate to the fragmentary bricolage of quotation more commonly associated with postmodern intertextuality.
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York