Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create other texts. But as readers, spectators and critics, ...
... for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off and create other texts. But as readers, spectators and critics, ...
Halaman
In the literary sphere, Roland Barthes declared that 'any text is an intertext' (1981: 39), suggesting that the works of previous and surrounding cultures are always present in literature. Barthes also highlighted the ways in which ...
In the literary sphere, Roland Barthes declared that 'any text is an intertext' (1981: 39), suggesting that the works of previous and surrounding cultures are always present in literature. Barthes also highlighted the ways in which ...
Halaman
In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel Foucault's influential theories of the 'death of the author' might suggest ...
In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily dismissed as Roland Barthes's or Michel Foucault's influential theories of the 'death of the author' might suggest ...
Halaman
Of course, the intertextuality of Joyce's characters doesn't rest solely with the Homeric comparisons, since Stephen and Leopold's relationship also suggests that of Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates.
Of course, the intertextuality of Joyce's characters doesn't rest solely with the Homeric comparisons, since Stephen and Leopold's relationship also suggests that of Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates.
Halaman
Recent work in translation studies, an important cognate field to adaptation studies, is helpful here in suggesting that even in the context of translation of one text into another language, ...
Recent work in translation studies, an important cognate field to adaptation studies, is helpful here in suggesting that even in the context of translation of one text into another language, ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York