Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from ...
... studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from ...
Halaman
... studies. Also available in this series: Adaptation and Appropriation – second edition by Julie Sanders Allegory by Jeremy Tambling The Author by Andrew Bennett Autobiography – second edition by Linda Anderson Class by Gary Day ...
... studies. Also available in this series: Adaptation and Appropriation – second edition by Julie Sanders Allegory by Jeremy Tambling The Author by Andrew Bennett Autobiography – second edition by Linda Anderson Class by Gary Day ...
Halaman
... studies is one where there is considerable debate concerning basic questions of terminology. This involves, among other things, the boundaries which distinguish the literary from the non-literary; the position of literature within the ...
... studies is one where there is considerable debate concerning basic questions of terminology. This involves, among other things, the boundaries which distinguish the literary from the non-literary; the position of literature within the ...
Halaman
... studies academic or student reads or watches many 'texts' (and for 'texts' here read alternately: films, creations, compositions, events and performances) throughout their learning career, and the more of this activity they pursue the ...
... studies academic or student reads or watches many 'texts' (and for 'texts' here read alternately: films, creations, compositions, events and performances) throughout their learning career, and the more of this activity they pursue the ...
Halaman
... studies of a number of these communities and subcultures in his research into participatory culture and stresses that we can no longer draw a clear line between producer and consumer (1992: 275). In this context, then, the notion of an ...
... studies of a number of these communities and subcultures in his research into participatory culture and stresses that we can no longer draw a clear line between producer and consumer (1992: 275). In this context, then, the notion of an ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing