Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... story': Myth and metamorphosis 5. 'Other versions' of fairy tale and folklore PART III Alternative perspectives 6. Constructing alternative points of view 7. 'We “other Victorians”': Or, rethinking the nineteenth century 8. Stretching ...
... story': Myth and metamorphosis 5. 'Other versions' of fairy tale and folklore PART III Alternative perspectives 6. Constructing alternative points of view 7. 'We “other Victorians”': Or, rethinking the nineteenth century 8. Stretching ...
Halaman
Julie Sanders. ACKNOWLEDGEMENTS. FIRST. EDITION. As this volume evidences, few stories or books ever stand alone and with that in mind I would like to acknowledge those who have contributed to this volume. Fred Botting read and commented on ...
Julie Sanders. ACKNOWLEDGEMENTS. FIRST. EDITION. As this volume evidences, few stories or books ever stand alone and with that in mind I would like to acknowledge those who have contributed to this volume. Fred Botting read and commented on ...
Halaman
... stories and texts (often in the guise of sequels or continuations). Henry Jenkins has produced impressive ethnographic studies of a number of these communities and subcultures in his research into participatory culture and stresses that ...
... stories and texts (often in the guise of sequels or continuations). Henry Jenkins has produced impressive ethnographic studies of a number of these communities and subcultures in his research into participatory culture and stresses that ...
Halaman
... stories en route, was called Harry Bailey. Shakespeare, a familiar hypotext throughout Naylor's oeuvre, is present in the novel's evocation of The Tempest, among other texts (Sanders 2001: 170–90), but it is the manner in which the ...
... stories en route, was called Harry Bailey. Shakespeare, a familiar hypotext throughout Naylor's oeuvre, is present in the novel's evocation of The Tempest, among other texts (Sanders 2001: 170–90), but it is the manner in which the ...
Halaman
... story on the screen that you have previously enjoyed reading in book format. Philip Cox has suggested something akin to this in relation to the huge popularity of stage adaptations of Charles Dickens's novels in the nineteenth century ...
... story on the screen that you have previously enjoyed reading in book format. Philip Cox has suggested something akin to this in relation to the huge popularity of stage adaptations of Charles Dickens's novels in the nineteenth century ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing