Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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This involves, among other things, the boundaries which distinguish the literary from the non-literary; the position of literature within the larger sphere of culture; the relationship between literatures of different cultures; ...
This involves, among other things, the boundaries which distinguish the literary from the non-literary; the position of literature within the larger sphere of culture; the relationship between literatures of different cultures; ...
Halaman
... or may not involve cultural relocation or updating of some form; sometimes this interpretative act will also involve the movement into a new generic mode or context. In appropriations the intertextual relationship may be less explicit,
... or may not involve cultural relocation or updating of some form; sometimes this interpretative act will also involve the movement into a new generic mode or context. In appropriations the intertextual relationship may be less explicit,
Halaman
In appropriations the intertextual relationship may be less explicit, more embedded, but what is often inescapable is the fact that a political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a ...
In appropriations the intertextual relationship may be less explicit, more embedded, but what is often inescapable is the fact that a political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a ...
Halaman
Citation, however, presumes a more deferential relationship; it is frequently self-authenticating, even reverential, in its reference to the canon of 'authoritative', culturally validated texts. Many nineteenth-century novels, ...
Citation, however, presumes a more deferential relationship; it is frequently self-authenticating, even reverential, in its reference to the canon of 'authoritative', culturally validated texts. Many nineteenth-century novels, ...
Halaman
The title alone indicates a structuring relationship with Homer's Ancient Greek epic of the wandering and journeying Ulysses (also known as Odysseus). That relationship was even more apparent in the pre-publication instalments of ...
The title alone indicates a structuring relationship with Homer's Ancient Greek epic of the wandering and journeying Ulysses (also known as Odysseus). That relationship was even more apparent in the pre-publication instalments of ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |