Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... references and index. 1. Literature–Adaptations. I. Title. PN171.A33S26 2015 801–dc23 2015023188 ISBN: 978-1-138-82898-8 (hbk) ISBN: 978-1-138-82899-5 (pbk) ISBN: 978-1-315-73794-2 (ebk) DOI: 10.4324/9781315737942 Typeset in Times New ...
... references and index. 1. Literature–Adaptations. I. Title. PN171.A33S26 2015 801–dc23 2015023188 ISBN: 978-1-138-82898-8 (hbk) ISBN: 978-1-138-82899-5 (pbk) ISBN: 978-1-315-73794-2 (ebk) DOI: 10.4324/9781315737942 Typeset in Times New ...
Halaman
... reference and allusion is a self-confirming exercise is reasonable enough; for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off ...
... reference and allusion is a self-confirming exercise is reasonable enough; for example, Robert Weimann writes persuasively of the 'reproductive dimension of appropriation' (1983: 14), suggesting the manifold ways in which texts feed off ...
Halaman
... references, a composition made up of fragments pieced together (Dentith 2000: 194). In the domains of art and literature, however, pastiche has undergone a further shift or extension of reference, being applied most often to those works ...
... references, a composition made up of fragments pieced together (Dentith 2000: 194). In the domains of art and literature, however, pastiche has undergone a further shift or extension of reference, being applied most often to those works ...
Halaman
... reference even further by evoking Shakespeare's wife, Ann Hathaway, as another Penelope, since she was left behind ... references as Ulysses the aim is in part to move us away immediately from any rigid concepts of fidelity or ...
... reference even further by evoking Shakespeare's wife, Ann Hathaway, as another Penelope, since she was left behind ... references as Ulysses the aim is in part to move us away immediately from any rigid concepts of fidelity or ...
Halaman
... references made to its earlier members by its later members (or would-be members) ...' (1996: 169). The required 'reading alongside' of source and adaptation, the signifiers, respectively, of 'tradition' and 'individual talent' in ...
... references made to its earlier members by its later members (or would-be members) ...' (1996: 169). The required 'reading alongside' of source and adaptation, the signifiers, respectively, of 'tradition' and 'individual talent' in ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing