Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
Dari dalam buku
Hasil 1-5 dari 33
Halaman
... Library Library of Congress Cataloging in Publication Data Sanders, Julie, 1968Adaptation and appropriation / Julie Sanders. – 2nd edition. pages cm Includes bibliographical references and index. 1. Literature–Adaptations. I. Title.
... Library Library of Congress Cataloging in Publication Data Sanders, Julie, 1968Adaptation and appropriation / Julie Sanders. – 2nd edition. pages cm Includes bibliographical references and index. 1. Literature–Adaptations. I. Title.
Halaman
... and the more of this activity they pursue the more echoes, parallels and points of comparison they identify. The notion that the tracing of intertextual reference and allusion is a self-confirming exercise is reasonable enough ...
... and the more of this activity they pursue the more echoes, parallels and points of comparison they identify. The notion that the tracing of intertextual reference and allusion is a self-confirming exercise is reasonable enough ...
Halaman
Citation, however, presumes a more deferential relationship; it is frequently self-authenticating, even reverential, in its reference to the canon of 'authoritative', culturally validated texts. Many nineteenth-century novels, ...
Citation, however, presumes a more deferential relationship; it is frequently self-authenticating, even reverential, in its reference to the canon of 'authoritative', culturally validated texts. Many nineteenth-century novels, ...
Halaman
Joyce expands that particular frame of reference even further by evoking Shakespeare's wife, Ann Hathaway, as another Penelope, since she was left behind in Stratford-upon-Avon when the playwright moved to London to make his name: 'We ...
Joyce expands that particular frame of reference even further by evoking Shakespeare's wife, Ann Hathaway, as another Penelope, since she was left behind in Stratford-upon-Avon when the playwright moved to London to make his name: 'We ...
Halaman
As Derek Attridge has astutely observed, 'The perpetuation of any canon is dependent in part on the references made to its earlier members by its later members (or would-be members) ...' (1996: 169). The required 'reading alongside' of ...
As Derek Attridge has astutely observed, 'The perpetuation of any canon is dependent in part on the references made to its earlier members by its later members (or would-be members) ...' (1996: 169). The required 'reading alongside' of ...
Apa yang dikatakan orang - Tulis resensi
Kami tak menemukan resensi di tempat biasanya.
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York