Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... to reflect on and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
... to reflect on and adapt my own critical work ten years hence. In the intervening decade I have benefited hugely from the engagement of readers with this book and from the opportunity to present and refine research in a Acknowledgements.
Halaman
... readers, spectators and critics, we also need to recognize that adaptation and appropriation are fundamental to the practice and, indeed, to the enjoyment of literature and the arts more generally. The late twentieth century made a ...
... readers, spectators and critics, we also need to recognize that adaptation and appropriation are fundamental to the practice and, indeed, to the enjoyment of literature and the arts more generally. The late twentieth century made a ...
Halaman
... readers who created their own intertextual networks and connections. Julia Kristeva, herself a product of a scientific ... reader or spectator response. In the new Web 2.0 era we have been exposed to new modes of intertextuality in ...
... readers who created their own intertextual networks and connections. Julia Kristeva, herself a product of a scientific ... reader or spectator response. In the new Web 2.0 era we have been exposed to new modes of intertextuality in ...
Halaman
... reader or spectator or indeed 'prod-user' (to use Axel Bruns's suggestive phrase, which consciously blurs the idea of usage and production to create a new model of content creation (Bruns 2008)) encounters the so-called original. The ...
... reader or spectator or indeed 'prod-user' (to use Axel Bruns's suggestive phrase, which consciously blurs the idea of usage and production to create a new model of content creation (Bruns 2008)) encounters the so-called original. The ...
Halaman
... reader will encounter many more. I make no apologies for this proliferation, for the profusion rather than fixity of terms offered: the idiom in which adaptation and appropriation theory functions is rich and various and any study of ...
... reader will encounter many more. I make no apologies for this proliferation, for the profusion rather than fixity of terms offered: the idiom in which adaptation and appropriation theory functions is rich and various and any study of ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing