Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
Dari dalam buku
Hasil 1-5 dari 31
Halaman
... production of meaning, indicating how they benefited from readers who created their own intertextual networks and connections. Julia Kristeva, herself a product of a scientific and anthropological training under Lévi-Strauss, formulated ...
... production of meaning, indicating how they benefited from readers who created their own intertextual networks and connections. Julia Kristeva, herself a product of a scientific and anthropological training under Lévi-Strauss, formulated ...
Halaman
... productions of meaning, a fact that will prove important for our analyses. The inherent intertextuality of literature/art forms encourages the ongoing, evolving production of meaning and an ever-expanding network of textual relations ...
... productions of meaning, a fact that will prove important for our analyses. The inherent intertextuality of literature/art forms encourages the ongoing, evolving production of meaning and an ever-expanding network of textual relations ...
Halaman
... production of meaning. In doing this we see, as Jennifer Levine has noted, the quasi-father–son relationship that emerges between Stephen Daedalus and Leopold Bloom in the novel as suggestive in its own right and yet simultaneously ...
... production of meaning. In doing this we see, as Jennifer Levine has noted, the quasi-father–son relationship that emerges between Stephen Daedalus and Leopold Bloom in the novel as suggestive in its own right and yet simultaneously ...
Halaman
... productions of fellow AfricanAmerican writers. As Andreas Sr notes in his discussion of Naylor's Tempest-soaked novel Mama Day, her work embodies the familiar African-American practice of 'playful but wilful manipulation of the ...
... productions of fellow AfricanAmerican writers. As Andreas Sr notes in his discussion of Naylor's Tempest-soaked novel Mama Day, her work embodies the familiar African-American practice of 'playful but wilful manipulation of the ...
Halaman
... productions consciously staged tableaux, images of famous moments from the novels: 'The use of the illustration-tableau would suggest the expectation of audience familiarity with the serial instalments of the novels themselves; the ...
... productions consciously staged tableaux, images of famous moments from the novels: 'The use of the illustration-tableau would suggest the expectation of audience familiarity with the serial instalments of the novels themselves; the ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing