Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
Dari dalam buku
Hasil 1-5 dari 33
Halaman
... practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and ...
... practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and ...
Halaman
... practice and, indeed, to the enjoyment of literature and the arts more generally. The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts ...
... practice and, indeed, to the enjoyment of literature and the arts more generally. The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts ...
Halaman
... practice engaged in adaptive work, not least the fan communities who fashion themselves as makers and producers of new kinds of stories and texts (often in the guise of sequels or continuations). Henry Jenkins has produced impressive ...
... practice engaged in adaptive work, not least the fan communities who fashion themselves as makers and producers of new kinds of stories and texts (often in the guise of sequels or continuations). Henry Jenkins has produced impressive ...
Halaman
... practices as well as from the natural sciences. The vocabulary of adaptation is highly labile: Adrian Poole has offered an extensive list of terms to represent the Victorian era's interest in reworking its artistic past: '(in no ...
... practices as well as from the natural sciences. The vocabulary of adaptation is highly labile: Adrian Poole has offered an extensive list of terms to represent the Victorian era's interest in reworking its artistic past: '(in no ...
Halaman
... practice of pastiche. Pastiche is another term of French derivation which, in the musical sphere, refers to a medley of references, a composition made up of fragments pieced together (Dentith 2000: 194). In the domains of art and ...
... practice of pastiche. Pastiche is another term of French derivation which, in the musical sphere, refers to a medley of references, a composition made up of fragments pieced together (Dentith 2000: 194). In the domains of art and ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing