Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, ...
... including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, ...
Halaman
... edition by Paul Cobley Parody by Simon Dentith Pastoral by Terry Gifford Performativity by James Loxley The Postmodern by Simon Malpas Realism by Pam Morris Rhetoric by Jennifer Richards Romance by Barbara Fuchs Romanticism – second ...
... edition by Paul Cobley Parody by Simon Dentith Pastoral by Terry Gifford Performativity by James Loxley The Postmodern by Simon Malpas Realism by Pam Morris Rhetoric by Jennifer Richards Romance by Barbara Fuchs Romanticism – second ...
Halaman
Adaptation and appropriation are inevitably involved in the performance of textual echo and allusion, but this does not usually equate to the fragmentary bricolage of quotation more commonly associated with postmodern intertextuality.
Adaptation and appropriation are inevitably involved in the performance of textual echo and allusion, but this does not usually equate to the fragmentary bricolage of quotation more commonly associated with postmodern intertextuality.
Halaman
Many of the texts and films studied here are produced as much by the tenets of feminism, post-structuralism, postcolonialism, queer theory and postmodernism as by the literary canon per se. As the critical anxieties and the Robert ...
Many of the texts and films studied here are produced as much by the tenets of feminism, post-structuralism, postcolonialism, queer theory and postmodernism as by the literary canon per se. As the critical anxieties and the Robert ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York