Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale ...
... postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale ...
Halaman
... Postcolonialism – third edition by Ania Loomba Comedy – second edition by Andrew Stott Crime Fiction by John Scaggs Culture/Metaculture by Francis Mulhern Dialogue by Peter Womack Difference by Mark Currie Discourse – second edition by ...
... Postcolonialism – third edition by Ania Loomba Comedy – second edition by Andrew Stott Crime Fiction by John Scaggs Culture/Metaculture by Francis Mulhern Dialogue by Peter Womack Difference by Mark Currie Discourse – second edition by ...
Halaman
... postcolonial rewritings of canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge that stylistic imitation is neither the essence nor the sole purpose of the approach to the source text, even though it may ...
... postcolonial rewritings of canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge that stylistic imitation is neither the essence nor the sole purpose of the approach to the source text, even though it may ...
Halaman
... postcolonial subject-positions. A further theorist of literature's relationship to its own past whose work is frequently both acknowledged and challenged by those subject-positions is Harold Bloom. His seminal work The Anxiety of ...
... postcolonial subject-positions. A further theorist of literature's relationship to its own past whose work is frequently both acknowledged and challenged by those subject-positions is Harold Bloom. His seminal work The Anxiety of ...
Halaman
... postcolonialism, queer theory and postmodernism as by the literary canon per se. As the critical anxieties and the Robert Weimann quotation at the beginning of this Introduction indicated (see p. 2), the reproductive capacity of both ...
... postcolonialism, queer theory and postmodernism as by the literary canon per se. As the critical anxieties and the Robert Weimann quotation at the beginning of this Introduction indicated (see p. 2), the reproductive capacity of both ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing