Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and customization diverse ways in which contemporary literature, theatre ...
... politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and customization diverse ways in which contemporary literature, theatre ...
Halaman
... political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a source text. In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily ...
... political or ethical commitment shapes a writer's, director's or performer's decision to reinterpret a source text. In this respect, in any study of adaptation and appropriation the creative import of the author cannot be as easily ...
Halaman
... political or ethical commitment to acts of literary appropriation such as these postcolonial rewritings of canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge that stylistic imitation is neither the ...
... political or ethical commitment to acts of literary appropriation such as these postcolonial rewritings of canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge that stylistic imitation is neither the ...
Halaman
... political commitment standing behind acts of literary appropriation or 're-vision'. Adrienne Rich's coining of this phrase, with its crucial inserted hyphen, was a product of her personal feminist and lesbian politics (Rich 1992 [1971]) ...
... political commitment standing behind acts of literary appropriation or 're-vision'. Adrienne Rich's coining of this phrase, with its crucial inserted hyphen, was a product of her personal feminist and lesbian politics (Rich 1992 [1971]) ...
Halaman
... political power or to acts of historical consciousness' (1988: 433). The intention here is to examine in detail these specific impulses and ideologies, personal and historical, at play in various adaptations. It seems useful therefore ...
... political power or to acts of historical consciousness' (1988: 433). The intention here is to examine in detail these specific impulses and ideologies, personal and historical, at play in various adaptations. It seems useful therefore ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing