Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... playing. Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and Glenn Gould's haunting 1955 and 1981 interpretations of Bach's Goldberg Variations provided the literary and musical soundtrack to ...
... playing. Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and Glenn Gould's haunting 1955 and 1981 interpretations of Bach's Goldberg Variations provided the literary and musical soundtrack to ...
Halaman
... play in pastiches of particular authors or literary styles. J. M. Coetzee's Foe, discussed in detail in Chapter 6, reworks with both celebratory and satiric intent the aesthetics of eighteenthcentury prose, and the writings of Daniel ...
... play in pastiches of particular authors or literary styles. J. M. Coetzee's Foe, discussed in detail in Chapter 6, reworks with both celebratory and satiric intent the aesthetics of eighteenthcentury prose, and the writings of Daniel ...
Halaman
... play, but, on the whole, when assigning a political or ethical commitment to acts of literary appropriation such as these postcolonial rewritings of canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge ...
... play, but, on the whole, when assigning a political or ethical commitment to acts of literary appropriation such as these postcolonial rewritings of canonical texts (Robinson Crusoe and Great Expectations, respectively) we acknowledge ...
Halaman
Julie Sanders. Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates throughout with Shakespearean echoes and refrains (Putz 2013). If Leopold's wife Molly, who speaks the infamous orgasmic closing monologue of Ulysses, is ...
Julie Sanders. Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates throughout with Shakespearean echoes and refrains (Putz 2013). If Leopold's wife Molly, who speaks the infamous orgasmic closing monologue of Ulysses, is ...
Halaman
... play that many theorists have stressed as central to the adaptive instinct. Paul Ricoeur describes appropriation as 'the “playful” transposition of the text, and play itself ... as the modality appropriate to the reader potentialis ...
... play that many theorists have stressed as central to the adaptive instinct. Paul Ricoeur describes appropriation as 'the “playful” transposition of the text, and play itself ... as the modality appropriate to the reader potentialis ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing