Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... the beauty of their playing. Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and Glenn Gould's haunting 1955 and 1981 interpretations of Bach's Goldberg Variations provided the literary and ...
... the beauty of their playing. Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and Glenn Gould's haunting 1955 and 1981 interpretations of Bach's Goldberg Variations provided the literary and ...
Halaman
In some respects there is often a complicated blend of admiration and satire at play in pastiches of particular authors or literary styles. J. M. Coetzee's Foe, discussed in detail in Chapter 6, reworks with both celebratory and satiric ...
In some respects there is often a complicated blend of admiration and satire at play in pastiches of particular authors or literary styles. J. M. Coetzee's Foe, discussed in detail in Chapter 6, reworks with both celebratory and satiric ...
Halaman
There are also, in both these novels, moments when bricolage and pastiche are jointly in play, but, on the whole, when assigning a political or ethical commitment to acts of literary appropriation such as these postcolonial rewritings ...
There are also, in both these novels, moments when bricolage and pastiche are jointly in play, but, on the whole, when assigning a political or ethical commitment to acts of literary appropriation such as these postcolonial rewritings ...
Halaman
Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates throughout with Shakespearean echoes and refrains (Putz 2013). If Leopold's wife Molly, who speaks the infamous orgasmic closing monologue of Ulysses, is a 1904 Dublin ...
Hamlet and Old Hamlet from Shakespeare's play, and Ulysses resonates throughout with Shakespearean echoes and refrains (Putz 2013). If Leopold's wife Molly, who speaks the infamous orgasmic closing monologue of Ulysses, is a 1904 Dublin ...
Halaman
But it is also a fine example of the sense of play that many theorists have stressed as central to the adaptive instinct. Paul Ricoeur describes appropriation as 'the “playful” transposition of the text, and play itself ... as the ...
But it is also a fine example of the sense of play that many theorists have stressed as central to the adaptive instinct. Paul Ricoeur describes appropriation as 'the “playful” transposition of the text, and play itself ... as the ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York