Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... Performance by Simon Shepherd and Mick Wallis Dramatic Monologue by Glennis Byron Ecocriticism – second edition by Greg Garrard Elegy by David Kennedy Epic by Paul Innes Fairy Tale by Andrew Teverson Genders – second edition by David ...
... Performance by Simon Shepherd and Mick Wallis Dramatic Monologue by Glennis Byron Ecocriticism – second edition by Greg Garrard Elegy by David Kennedy Epic by Paul Innes Fairy Tale by Andrew Teverson Genders – second edition by David ...
Halaman
... performances) throughout their learning career, and the more of this activity they pursue the more echoes, parallels and points of comparison they identify. The notion that the tracing of intertextual reference and allusion is a self ...
... performances) throughout their learning career, and the more of this activity they pursue the more echoes, parallels and points of comparison they identify. The notion that the tracing of intertextual reference and allusion is a self ...
Halaman
... performance of textual echo and allusion, but this does not usually equate to the fragmentary bricolage of quotation more commonly associated with postmodern intertextuality. In French, bricolage is the term for 'do-it-yourself' (DIY) ...
... performance of textual echo and allusion, but this does not usually equate to the fragmentary bricolage of quotation more commonly associated with postmodern intertextuality. In French, bricolage is the term for 'do-it-yourself' (DIY) ...
Halaman
... performances of rewriting and pastiche (see Heilmann and Llewellyn 2010). From a detailed focus on appropriations of fictional writing from the period, the later chapters of this study focus on the appropriation of historical 'fact' and ...
... performances of rewriting and pastiche (see Heilmann and Llewellyn 2010). From a detailed focus on appropriations of fictional writing from the period, the later chapters of this study focus on the appropriation of historical 'fact' and ...
Halaman
... performance studies and translation studies, but also with musicology, computer science and digital humanities, law and economics, not least in the realm of intellectual property and copyright, cultural geography and the natural ...
... performance studies and translation studies, but also with musicology, computer science and digital humanities, law and economics, not least in the realm of intellectual property and copyright, cultural geography and the natural ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing