Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Each volume will contain as part of its apparatus some indication of the direction in which the definition of particular terms is likely to move, as well as expanding the disciplinary boundaries within which some ...
Each volume will contain as part of its apparatus some indication of the direction in which the definition of particular terms is likely to move, as well as expanding the disciplinary boundaries within which some ...
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And to inspirational colleagues around the world, in particular: Susan Bennett, John Bryant, Christy Carson, Deborah Cartmell, Christine Geraghty, Anne Gjelsvik, Lyn Innes, Li Jun, Tai-Won Kim, Katja Krebs, Derek 'Mac' McAuley, ...
And to inspirational colleagues around the world, in particular: Susan Bennett, John Bryant, Christy Carson, Deborah Cartmell, Christine Geraghty, Anne Gjelsvik, Lyn Innes, Li Jun, Tai-Won Kim, Katja Krebs, Derek 'Mac' McAuley, ...
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The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing ...
The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing ...
Halaman
The vocabulary of adaptation is highly labile: Adrian Poole has offered an extensive list of terms to represent the Victorian era's interest in reworking its artistic past: '(in no particular order) ... borrowing, stealing, ...
The vocabulary of adaptation is highly labile: Adrian Poole has offered an extensive list of terms to represent the Victorian era's interest in reworking its artistic past: '(in no particular order) ... borrowing, stealing, ...
Halaman
In some respects there is often a complicated blend of admiration and satire at play in pastiches of particular authors or literary styles. J. M. Coetzee's Foe, discussed in detail in Chapter 6, reworks with both celebratory and satiric ...
In some respects there is often a complicated blend of admiration and satire at play in pastiches of particular authors or literary styles. J. M. Coetzee's Foe, discussed in detail in Chapter 6, reworks with both celebratory and satiric ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
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