Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... original and distinctive overview by a leading literary and cultural critic; relates the term to the larger field of cultural representation. With a strong emphasis on clarity, lively debate and the widest possible breadth of examples ...
... original and distinctive overview by a leading literary and cultural critic; relates the term to the larger field of cultural representation. With a strong emphasis on clarity, lively debate and the widest possible breadth of examples ...
Halaman
... original proposal with great insight and made the final outline much stronger. Many others have offered help and ideas along the way; special thanks to Kate Chedgzoy, Davina Cooper, Mark Dooley, Finn Fordham, Daniel Grimley, Dominic ...
... original proposal with great insight and made the final outline much stronger. Many others have offered help and ideas along the way; special thanks to Kate Chedgzoy, Davina Cooper, Mark Dooley, Finn Fordham, Daniel Grimley, Dominic ...
Halaman
... original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch ...
... original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch ...
Halaman
... original text does enable multiple and sometimes conflicting productions of meaning, a fact that will prove important for our analyses. The inherent intertextuality of literature/art forms encourages the ongoing, evolving production of ...
... original text does enable multiple and sometimes conflicting productions of meaning, a fact that will prove important for our analyses. The inherent intertextuality of literature/art forms encourages the ongoing, evolving production of ...
Halaman
... original', adding hypothetical motivation or voicing what the text silences or marginalizes. Yet adaptation can also continue a simpler attempt to make texts 'relevant' or easily comprehensible to new audiences and readerships via the ...
... original', adding hypothetical motivation or voicing what the text silences or marginalizes. Yet adaptation can also continue a simpler attempt to make texts 'relevant' or easily comprehensible to new audiences and readerships via the ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontė’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing