Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Each book: provides a handy, explanatory guide to the use (and abuse) of the term; offers an original and distinctive overview by a leading literary and cultural critic; relates the term to the larger field of cultural representation.
Each book: provides a handy, explanatory guide to the use (and abuse) of the term; offers an original and distinctive overview by a leading literary and cultural critic; relates the term to the larger field of cultural representation.
Halaman
As Attridge continues: 'through their frequently overt allusiveness ... novels offer themselves not as challenges to the canon but as canonic ... as already canonized, one might say. They appear to locate themselves within an ...
As Attridge continues: 'through their frequently overt allusiveness ... novels offer themselves not as challenges to the canon but as canonic ... as already canonized, one might say. They appear to locate themselves within an ...
Halaman
And if musicology offers us one highly applicable and suggestive set of metaphors and idioms for conducting discussion of literary adaptation and appropriation within these pages, it will also be registered that the scientific domain of ...
And if musicology offers us one highly applicable and suggestive set of metaphors and idioms for conducting discussion of literary adaptation and appropriation within these pages, it will also be registered that the scientific domain of ...
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Part I, 'Defining terms', offers a series of definitions for, and ways of thinking about, adaptation and appropriation as both practice and process. The aim here is to open out and widen the range of applicable terms rather than ...
Part I, 'Defining terms', offers a series of definitions for, and ways of thinking about, adaptation and appropriation as both practice and process. The aim here is to open out and widen the range of applicable terms rather than ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York