Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... Rhythm and Verse Form by Philip Hobsbaum Mimesis by Matthew Potolsky Modernism – second edition by Peter Childs Myth – second edition by Laurence Coupe Narrative – second edition by Paul Cobley Parody by Simon Dentith Pastoral by ...
... Rhythm and Verse Form by Philip Hobsbaum Mimesis by Matthew Potolsky Modernism – second edition by Peter Childs Myth – second edition by Laurence Coupe Narrative – second edition by Paul Cobley Parody by Simon Dentith Pastoral by ...
Halaman
Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different versions Glossary Bibliography Index SERIES EDITOR'S PREFACE The New Critical Idiom is a series.
Customized narratives: Copyright and the work of art in the age of technological reproducability Afterword: Different versions Glossary Bibliography Index SERIES EDITOR'S PREFACE The New Critical Idiom is a series.
Halaman
... which mimics everything from journalism to James Joyce in the course of its narrative – but frequently it is the more sustained act of artistic imitation which is accorded the label of pastiche in contemporary literature.
... which mimics everything from journalism to James Joyce in the course of its narrative – but frequently it is the more sustained act of artistic imitation which is accorded the label of pastiche in contemporary literature.
Halaman
written in the epistolary or journalistic style; Peter Carey effects something similar in his self-conscious revisiting of the tropes and idioms of nineteenth-century fiction, and in particular Dickensian narrative, in Jack Maggs, ...
written in the epistolary or journalistic style; Peter Carey effects something similar in his self-conscious revisiting of the tropes and idioms of nineteenth-century fiction, and in particular Dickensian narrative, in Jack Maggs, ...
Halaman
... and yet in its verbal complexity, and twisting web-like narrative, the novel also deserves recognition for its deployment of the art of amplification: of making the quotidian lives of its Dublin community epic in scope.
... and yet in its verbal complexity, and twisting web-like narrative, the novel also deserves recognition for its deployment of the art of amplification: of making the quotidian lives of its Dublin community epic in scope.
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Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York