Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale.
... postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but also of literary archetypes such as myth or fairy tale.
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... Rhythm and Verse Form by Philip Hobsbaum Mimesis by Matthew Potolsky Modernism – second edition by Peter Childs Myth – second edition by Laurence Coupe Narrative – second edition by Paul Cobley Parody by Simon Dentith Pastoral by ...
... Rhythm and Verse Form by Philip Hobsbaum Mimesis by Matthew Potolsky Modernism – second edition by Peter Childs Myth – second edition by Laurence Coupe Narrative – second edition by Paul Cobley Parody by Simon Dentith Pastoral by ...
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'It's a very old story': Myth and metamorphosis 5. 'Other versions' of fairy tale and folklore PART III Alternative perspectives 6. Constructing alternative points of view 7. 'We “other Victorians”': Or, rethinking the nineteenth ...
'It's a very old story': Myth and metamorphosis 5. 'Other versions' of fairy tale and folklore PART III Alternative perspectives 6. Constructing alternative points of view 7. 'We “other Victorians”': Or, rethinking the nineteenth ...
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Part II, on 'Literary archetypes', examines the recurring interests of adaptation and appropriation in many of the central texts and genres of Western culture: myth, fairy tale, folklore and Shakespeare. The latter playwright, of course ...
Part II, on 'Literary archetypes', examines the recurring interests of adaptation and appropriation in many of the central texts and genres of Western culture: myth, fairy tale, folklore and Shakespeare. The latter playwright, of course ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York