Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Though they will probably never know it, the Quadriga Consort and the virtuoso musicianship of Andrew Manze were my joint inspiration for the baroque musical theories deployed in these pages and I am endlessly indebted both to the ...
Though they will probably never know it, the Quadriga Consort and the virtuoso musicianship of Andrew Manze were my joint inspiration for the baroque musical theories deployed in these pages and I am endlessly indebted both to the ...
Halaman
Pastiche is another term of French derivation which, in the musical sphere, refers to a medley of references, a composition made up of fragments pieced together (Dentith 2000: 194). In the domains of art and literature, however, ...
Pastiche is another term of French derivation which, in the musical sphere, refers to a medley of references, a composition made up of fragments pieced together (Dentith 2000: 194). In the domains of art and literature, however, ...
Halaman
... among other texts (Sanders 2001: 170–90), but it is the manner in which the narrative structure is shaped by movements more familiar from the musical domains of blues and jazz that seems most overtly to acknowledge Gates's theories.
... among other texts (Sanders 2001: 170–90), but it is the manner in which the narrative structure is shaped by movements more familiar from the musical domains of blues and jazz that seems most overtly to acknowledge Gates's theories.
Halaman
To quote Genette: 'In music, the range of transformational possibilities is probably broader than in painting, broader than in literature certainly, given the complexity of musical discourse, which, unlike the literary text, ...
To quote Genette: 'In music, the range of transformational possibilities is probably broader than in painting, broader than in literature certainly, given the complexity of musical discourse, which, unlike the literary text, ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
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