Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but ...
... movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens and others, but ...
Halaman
... movements of the 1960s, especially in France. In the field of anthropology, Claude Lévi-Strauss conducted many of his researches in terms of identifying repeating structures across cultures and cultural forms (2001 [1978]). In the ...
... movements of the 1960s, especially in France. In the field of anthropology, Claude Lévi-Strauss conducted many of his researches in terms of identifying repeating structures across cultures and cultural forms (2001 [1978]). In the ...
Halaman
... or may not involve cultural relocation or updating of some form; sometimes this interpretative act will also involve the movement into a new generic mode or context. In appropriations the intertextual relationship may be less explicit,
... or may not involve cultural relocation or updating of some form; sometimes this interpretative act will also involve the movement into a new generic mode or context. In appropriations the intertextual relationship may be less explicit,
Halaman
... movement (1999: 49). Modernist poetry, not least Eliot's own, practised intertextuality in the form of quotation, allusion, collage, bricolage and fragment. As already stressed, in this study we are looking at something rather different ...
... movement (1999: 49). Modernist poetry, not least Eliot's own, practised intertextuality in the form of quotation, allusion, collage, bricolage and fragment. As already stressed, in this study we are looking at something rather different ...
Halaman
... movements more familiar from the musical domains of blues and jazz that seems most overtly to acknowledge Gates's theories. Sections entitled 'Mood Indigo' and 'Miss Maple's Blues' explicitly acknowledge the literary riffs and ...
... movements more familiar from the musical domains of blues and jazz that seems most overtly to acknowledge Gates's theories. Sections entitled 'Mood Indigo' and 'Miss Maple's Blues' explicitly acknowledge the literary riffs and ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing