Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, ...
... theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, ...
Halaman
... is often articulated in theoretical terms such as intertextuality, and many of the early prominent theorists of this practice emerge from the structuralist and post-structuralist movements of the 1960s, especially in France.
... is often articulated in theoretical terms such as intertextuality, and many of the early prominent theorists of this practice emerge from the structuralist and post-structuralist movements of the 1960s, especially in France.
Halaman
Sometimes this will involve a director's personal vision, and it may or may not involve cultural relocation or updating of some form; sometimes this interpretative act will also involve the movement into a new generic mode or context.
Sometimes this will involve a director's personal vision, and it may or may not involve cultural relocation or updating of some form; sometimes this interpretative act will also involve the movement into a new generic mode or context.
Halaman
Peter Widdowson is correct to acknowledge that Eliot's case for an historical awareness of literary tradition served to justify his own intertextual, discursive style and the aims of the Modernist movement (1999: 49).
Peter Widdowson is correct to acknowledge that Eliot's case for an historical awareness of literary tradition served to justify his own intertextual, discursive style and the aims of the Modernist movement (1999: 49).
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Shakespeare, a familiar hypotext throughout Naylor's oeuvre, is present in the novel's evocation of The Tempest, among other texts (Sanders 2001: 170–90), but it is the manner in which the narrative structure is shaped by movements more ...
Shakespeare, a familiar hypotext throughout Naylor's oeuvre, is present in the novel's evocation of The Tempest, among other texts (Sanders 2001: 170–90), but it is the manner in which the narrative structure is shaped by movements more ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York
Informasi bibliografi
| Judul | Adaptation and Appropriation The New Critical Idiom |
| Pengarang | Julie Sanders |
| Edisi | 2, direvisi |
| Penerbit | Routledge, 2015 |
| ISBN | 1317572203, 9781317572206 |
| Tebal | 254 halaman |
| Ekspor Kutipan | BiBTeX EndNote RefMan |