Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... least, Maggie Yang. I began this book in my first summer at the University of Nottingham and I adapted it in my final summer there before joining Newcastle University on the next big adventure. Thank you to colleagues past and present ...
... least, Maggie Yang. I began this book in my first summer at the University of Nottingham and I adapted it in my final summer there before joining Newcastle University on the next big adventure. Thank you to colleagues past and present ...
Halaman
... least) two together ...' Gérard Genette, Palimpsests 'There were, as in all crooked businesses, two sets of books ...' Peter Carey, Jack Maggs INTRODUCTION GOING ON (AND ON) DOI: 10.4324/9781315737942-1 'art never improves,
... least) two together ...' Gérard Genette, Palimpsests 'There were, as in all crooked businesses, two sets of books ...' Peter Carey, Jack Maggs INTRODUCTION GOING ON (AND ON) DOI: 10.4324/9781315737942-1 'art never improves,
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... least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch things that ...
... least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing originally, and more of rewriting' (1983: 135); Jacques Derrida noted that 'the desire to write is the desire to launch things that ...
Halaman
... least through the collective creativity and personalized customizations of the user-maker generation of platforms and sites such as YouTube and YouKu. In this context terms like remix and remediation, along with mash-up, have entered ...
... least through the collective creativity and personalized customizations of the user-maker generation of platforms and sites such as YouTube and YouKu. In this context terms like remix and remediation, along with mash-up, have entered ...
Halaman
... least the fan communities who fashion themselves as makers and producers of new kinds of stories and texts (often in the guise of sequels or continuations). Henry Jenkins has produced impressive ethnographic studies of a number of these ...
... least the fan communities who fashion themselves as makers and producers of new kinds of stories and texts (often in the guise of sequels or continuations). Henry Jenkins has produced impressive ethnographic studies of a number of these ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing