Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... Christy Carson, Deborah Cartmell, Christine Geraghty, Anne Gjelsvik, Lyn Innes, Li Jun, Tai-Won Kim, Katja Krebs, Derek 'Mac' McAuley, Jo Robinson, Minami Ryuta, Imelda Whelehan and, last but certainly not least, Maggie Yang.
... Christy Carson, Deborah Cartmell, Christine Geraghty, Anne Gjelsvik, Lyn Innes, Li Jun, Tai-Won Kim, Katja Krebs, Derek 'Mac' McAuley, Jo Robinson, Minami Ryuta, Imelda Whelehan and, last but certainly not least, Maggie Yang.
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'One who really loves texts must wish from time to time to love (at least) two together ...' Gérard Genette, Palimpsests 'There were, as in all crooked businesses, two sets of books ...' Peter Carey, Jack Maggs INTRODUCTION GOING ON ...
'One who really loves texts must wish from time to time to love (at least) two together ...' Gérard Genette, Palimpsests 'There were, as in all crooked businesses, two sets of books ...' Peter Carey, Jack Maggs INTRODUCTION GOING ON ...
Halaman
The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing ...
The late twentieth century made a particular virtue out of querying the ability to be or even the necessity of being 'original', not least in the arts. Edward Said suggested in 'On Originality' that 'the writer thinks less of writing ...
Halaman
... intertextuality in operation not least through the collective creativity and personalized customizations of the user-maker generation of platforms and sites such as YouTube and YouKu. In this context terms like remix and remediation ...
... intertextuality in operation not least through the collective creativity and personalized customizations of the user-maker generation of platforms and sites such as YouTube and YouKu. In this context terms like remix and remediation ...
Halaman
Returning to my earlier points about Web 2.0 contexts, our attention has now been drawn to whole new communities of practice engaged in adaptive work, not least the fan communities who fashion themselves as makers and producers of new ...
Returning to my earlier points about Web 2.0 contexts, our attention has now been drawn to whole new communities of practice engaged in adaptive work, not least the fan communities who fashion themselves as makers and producers of new ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York