Adaptation and AppropriationFrom the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and Glenn Gould's haunting 1955 and 1981 interpretations of Bach's Goldberg Variations provided the literary and musical soundtrack to much of the ...
Richard Powers's remarkable novel, The Gold Bug Variations, first gifted me by my father, and Glenn Gould's haunting 1955 and 1981 interpretations of Bach's Goldberg Variations provided the literary and musical soundtrack to much of the ...
Halaman
... an interpretation or re-reading of a canonical precursor. Sometimes this will involve a director's personal vision, and it may or may not involve cultural relocation or updating of some form; sometimes this interpretative act will ...
... an interpretation or re-reading of a canonical precursor. Sometimes this will involve a director's personal vision, and it may or may not involve cultural relocation or updating of some form; sometimes this interpretative act will ...
Halaman
In this context, then, the notion of an 'original' or source begins to be rescaled in a discussion of networked distribution and collective interpretation. As texts develop their own incremental history across time and undergo multiple, ...
In this context, then, the notion of an 'original' or source begins to be rescaled in a discussion of networked distribution and collective interpretation. As texts develop their own incremental history across time and undergo multiple, ...
Halaman
We can easily continue the linguistic riff, adding into the mix: variation, version, interpretation, imitation, proximation, supplement, increment, improvisation, prequel, sequel, continuation, afterlife, addition, paratext, hypertext, ...
We can easily continue the linguistic riff, adding into the mix: variation, version, interpretation, imitation, proximation, supplement, increment, improvisation, prequel, sequel, continuation, afterlife, addition, paratext, hypertext, ...
Halaman
When discussion of adaptation moves into the more globalized spheres of adaptation and interpretation – I am thinking, for example, of a significant industry in global Shakespeare over recent decades – translation theory must come into ...
When discussion of adaptation moves into the more globalized spheres of adaptation and interpretation – I am thinking, for example, of a significant industry in global Shakespeare over recent decades – translation theory must come into ...
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Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
active adaptation and appropriation allusion approach artistic audiences becomes Cambridge canonical Carey century Chapter characters close communities connections contemporary context course creative critical cultural death described discussed Duke University early edition engagement example Expectations experience fact fairy tale fiction film finds further genre Hamlet important influence interest interpretation intertextual Jane John kind Last least literary literature London Maggs means metafictional mode movement musical myth narrative narrator novel offers Orders original Orpheus Oxford parallel particular performance perhaps Peter play political possible postcolonial postmodern Powers practice production proves question reader reading reference relationship reworking rewriting Routledge sense sexual Shakespeare similar social specific stage story structure studies suggests Swift’s textual theory tradition turn understanding University Press variation Victorian voice writing York