Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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... genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying ...
... genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying ...
Halaman
... edition by David Glover and Cora Kaplan Genre – second edition by John Frow Gothic – second edition by Fred Botting Grotesque by Justin D Edwards and Rune Graulund The Historical Novel by Jerome de Groot Historicism – second.
... edition by David Glover and Cora Kaplan Genre – second edition by John Frow Gothic – second edition by Fred Botting Grotesque by Justin D Edwards and Rune Graulund The Historical Novel by Jerome de Groot Historicism – second.
Halaman
... genres. It is a book about connections. Any exploration of intertextuality, and its specific manifestation in the forms of adaptation and appropriation, is inevitably interested in how art creates art, or how literature is made by ...
... genres. It is a book about connections. Any exploration of intertextuality, and its specific manifestation in the forms of adaptation and appropriation, is inevitably interested in how art creates art, or how literature is made by ...
Halaman
... genre. As Attridge continues: 'through their frequently overt allusiveness ... novels offer themselves not as challenges to the canon but as canonic ... as already canonized, one might say. They appear to locate themselves within an ...
... genre. As Attridge continues: 'through their frequently overt allusiveness ... novels offer themselves not as challenges to the canon but as canonic ... as already canonized, one might say. They appear to locate themselves within an ...
Halaman
... genres of Western culture: myth, fairy tale, folklore and Shakespeare. The latter playwright, of course, reworks in his drama many of the structures and storylines of myth and fairy tale, indicating the cultural osmosis that regularly ...
... genres of Western culture: myth, fairy tale, folklore and Shakespeare. The latter playwright, of course, reworks in his drama many of the structures and storylines of myth and fairy tale, indicating the cultural osmosis that regularly ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing