Adaptation and AppropriationRoutledge, 19 Nov 2015 - 254 halaman From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:
Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
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Halaman
... Fiction by John Scaggs Culture/Metaculture by Francis Mulhern Dialogue by Peter Womack Difference by Mark Currie Discourse – second edition by Sara Mills Drama/Theatre/Performance by Simon Shepherd and Mick Wallis Dramatic Monologue by ...
... Fiction by John Scaggs Culture/Metaculture by Francis Mulhern Dialogue by Peter Womack Difference by Mark Currie Discourse – second edition by Sara Mills Drama/Theatre/Performance by Simon Shepherd and Mick Wallis Dramatic Monologue by ...
Halaman
... Fiction – second edition by Adam Roberts Sexuality – second edition by Joseph Bristow Spatiality by Robert T. Tally Jr Stylistics by Richard Bradford Subjectivity by Donald E. Hall The Sublime by Philip Shaw Temporalities by Russell ...
... Fiction – second edition by Adam Roberts Sexuality – second edition by Joseph Bristow Spatiality by Robert T. Tally Jr Stylistics by Richard Bradford Subjectivity by Donald E. Hall The Sublime by Philip Shaw Temporalities by Russell ...
Halaman
... fiction, and in particular Dickensian narrative, in Jack Maggs, explored in Chapter 7. There are also, in both these novels, moments when bricolage and pastiche are jointly in play, but, on the whole, when assigning a political or ...
... fiction, and in particular Dickensian narrative, in Jack Maggs, explored in Chapter 7. There are also, in both these novels, moments when bricolage and pastiche are jointly in play, but, on the whole, when assigning a political or ...
Halaman
... fictional writing from the period, the later chapters of this study focus on the appropriation of historical 'fact' and so-called real-life subjects as well as the adaptation of alternative art forms and paradigms from scientific ...
... fictional writing from the period, the later chapters of this study focus on the appropriation of historical 'fact' and so-called real-life subjects as well as the adaptation of alternative art forms and paradigms from scientific ...
Halaman
... fiction; or the inverse movement of making drama into prose narrative. It can also involve the making of computer games or graphic novels or be dispersed into modes such as music or dance. We have already established that when we ...
... fiction; or the inverse movement of making drama into prose narrative. It can also involve the making of computer games or graphic novels or be dispersed into modes such as music or dance. We have already established that when we ...
Isi
Shakespearean appropriations | |
Myth and metamorphosis | |
Other versions of fairy tale and folklore | |
Constructing alternative points of view | |
Or rethinking the nineteenth century | |
Or appropriating the facts | |
Copyright and the work of art in the age | |
Different versions | |
Glossary | |
Index | |
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Istilah dan frasa umum
adaptation and appropriation adaptation studies allusion Angela Carter archetypal artistic audiences Basingstoke Brontë’s Cambridge canonical Carey Carey’s Carter Chapter characters Coetzee’s contemporary context creative critical cultural Dalloway Defoe’s deployed Dickens Dickens’s discussed drama Eliot engagement Eurydice example fairy tale feminist fiction film adaptation Genette genre global Hamlet Harmondsworth intertextual Jack Maggs Jane Eyre John Last Orders Linda Hutcheon literary literature London Luhrmann magic realism means metafictional mode modern Moulin Rouge musical myth mythic narrative narrator Oates original Orpheus Ovid Oxford parallel particular pastiche performance Peter plotlines political postcolonial postmodern precursor process of adaptation production protagonists re-creation reader reading reference relationship resonance reworking rewriting Rhys Rhys’s Routledge Rushdie sexual Shakespeare Shakespeare’s play signifying source text specific stage story suggests Susan Swift’s novel T. S. Eliot textual theory twentieth century underworld University Press variation Victorian Victorian era voice Wide Sargasso Sea Woolf’s writing